pressing on transparent orange coloured vinyl.

lost in time continues on it’s path exploring timeless underground house music with number 8 in the series. the ‘last step’ ep focuses on the extraordinary production talents of tuccillo, the italian musician widely regarded for his unblock studio. this record marks a deviation in direction for tuccillo, who is recently returning to his roots, making stripped down minimal dubs aimed directly at the dance floor. lostime008 includes four new cuts which can best be defined as ‘romanian’ style in essence. in fact raresh from a:rpia:r and livio & roby from premiesku are early supporters. the title track kicks things off with rolling percussion with more than a hint of latino attitude. dubby stabs and detroit style chords soon join the party and intricate changes in the drum programming keep subtly lifting the track throughout. ‘changed’ opts for a totally different tact, opening with lush, dreamy pads which evolve alongside rolling snare patterns and bass grooves to reveal a heavily harmonised spoken word vocal. on the flip side, ‘drum engine’ opens with feint, delayed vocal stabs which are joined by celestial, swirling pads, before being abruptly stripped away to reveal a menacing growling bass finally, ‘titled’, takes thing in a more minimal direction with airy pads and acid bleeps panning around the mix, showing off tuccillo s immense production talent

g. markus returns with two fresh edits after his first g-edits release sold out and enjoyed heavy support from all sorts of discjockeys. 70s soul/disco is the flavour here with a legendary diva getting the treatment, with one big peak-time banger and a slo-mo chugger for good measure. danvers helps thickens things up in the bass department with some live electric bass on both tracks. getting love from: karizma, atjazz, nuno dos santos, coco cole, waze & odyseey, huxley, droog, roger sanchez, severino, black loops, mj cole, doorly, piek, golf clap, terry farley, voyeur, fred everything, inland knights, moodymanc, sinden, jamie trench, rob da bank, michel de hey, moon boots, harri, lrusse, edwin oosterwal, lars behrenroth, speaking minds, bill brewster, kiko navarro, blakkat / shaboom, sacha robotti, psycatron, bodhi

while she may be based in berlin now, shanti celeste has deep roots within idle hands. from working behind the counter when the shop first opened to playing the label parties and co-running the neighbouring brstl label, shanti s contributions to the bristol house music scene have been ever-increasing as she has grown as an artist. having put out our her second ever 12inch,days like this, back in 2014, it gives us great pleasure to welcome her back as an internationally respected producer with a relentless gig schedule and a rich back catalogue of warm, heartfelt dance music that kicks where it counts. shanti s stylistic palette may have broadened over the past four years, but she s also retained a natural, unpretentious quality in her tracks that can span all manner of grooves and tempos. make time certainly chimes with her earliest house productions, but it s also offset by a wistful, meditative maturity. swooping pads, distant vocal threads and delicate fragments of breakbeat flirting in an aqueous soundscape whatever city shes based in now, this is surely deep house infused with a quintessential bristol ruffness. -thoughts- meanwhile speaks more to the artistic development shanti has undergone over the past few years, bearing the influence of melodic techno, electro and broken beat while striking a unique chord in the process. it s a hypnotic, alluring track that eschews basic dancefloor demands in favour of a more intimate headspace shaped out by snaking, polyrhythmic synth lines. both make time and thoughts stretch out over extended running times all the better for losing yourself in the heady atmosphere shanti has created on her very welcome return to idle hands.

vinyl only - limited 400 copies pressing one of the most representative records of the golden age of ambient house music ! a timeless masterpiece produced by ricky persi and mixed by dj fabrice and paul martini in 1991 ... audio trip remains one of the most played tracks in those years and returns now to its splendor on flash forward records ! big big tune !!!

vinyl only - limited 100 numbered copies pressing on marbled vinyl
one of the most representative records of the golden age of ambient house music ! a timeless masterpiece produced by ricky persi and mixed by dj fabrice and paul martini in 1991 ... audio trip remains one of the most played tracks in those years and returns now to its splendor on flash forward records ! big big tune !!!

kologo und hiplife: ghanas superstar zwischen tradition und moderne.
das 180 gramm vinyl erscheint im klappcover inklusive downloadcode.

brill funky / soulful disco on 7 inch

the vision of techno is presented by seven producers from electronic music scene of poland. the well-known artists - blazej malinowski i micha&#322,,,, wolski, who work intensivly over new productions, promote polish scene abroad with liveacts ans dj sets, are resposible for radio broadcasts on which they bring valuable information in relation to electronic music to the listeners. isnt, a very well know female dj and promotor, who has recently started producing hypnotic techno productions. less known, and deeply dark, developing project - the obkt, which is the result of the cooperation of two well-known dark techno producers milena kriegs and eastern renaissance. together with them on the compilation, the lesser-known producers are completing and emphasizing the character of the compilation, nternal bserver (read: internal observer), who has already released several ep’s, and who focuses on playing varied and heavier sound during liveacts. trnah, a female producer with a lot of experience on musical collaborations, who shows with her charming song, that a techno album containing more powerful and hypnotic sound can also be filled with nostalgia and exceptionally captivating sadness.

as fans since 2014, we’re very excited to be releasing the debut vinyl from danish multi-disciplinary artist øjerum. titled ‘when birds fly, the eyes of heaven can rest’, the lp features two extended tracks of aetherial, haunting and otherworldly beauty. the cover art is a hand-cut collage, part of an ever growing body of incredible work from this talented dane. the artwork expresses the audio perfectly. a floating, drifting haze of light, subtly shifting, organic. this is a world to lose yourself in. the lp is housed in a reverse board sleeve. pressed on clear vinyl, cut at the carvery. limited to 300 copies

beautiful full cover art, limited to 300 ln005 is the first physical release on lumiere noire. the new label by chloe! chloe has resolved to make 2017 the year that lumiere noire becomes a fully-fledged record label, and this fifth release is the first to come out on the newly created entity. chloé on her new label:the idea is to take the time to work on a 12inch the way we would on a full album, to be a vector between the artists so that they can collaborate together and remix each others work, to come up with a visual identity. the club events will be like our club house, where our artists come together to share the lumière noire world with our audience

new first time on a 45 series from mukatsuku which will focus on tracks which never made it to a 7 inch single in their own right. first up the three pieces with a sublime track taken from the 1975 fantasy album “vibes of truth”. on the flipside also from 1975 johnny hammond delivers the much sampled club favourite “tell me what to do” from the legendary “gears” album from milestone which also gave us “shifting gears”, “los conquistadores chocolates” & “can’t we smile”. two classics on a dinked friendly format. limited pressing. don’t sleep!

once more scouring the annals of disco history for the hottest jams, best look beyond italy and snap up this much-vaunted slice of american funk from 1982. while second hand prices can get out of control, it s not hard to hear why this glittering prize from jagg would be so coveted - it s got everything. jazz-leaning slap bass, mean synthesizer chops and soaring vocals - -take time- is prime to set the party off, and no longer is it the preserve of wealthy collectors. originally a single-sided affair, best have done the right thing and filled the b-side up with an extended version to let that groove roll on even longer.

another certified 90s hip hop anthem on 45 for the first time courtesy of 5 borough breaks. original flavour s -can i get open- was an underground smash at the time and is also notable for one of the very first times global rap star jay-z appeared on wax - classic material no doubt. as always, the b-side reveals one of the sample sources for the track, this time young holt limited s -wah wah man- providing the neck snapping drums.

florian meindl surges ahead in 2017 as he returns once more to his home base flash recordings. he has been locked away in his studio and is now ready to unleash his new album ‘time illusion’. with these album sessions florian has created a special collection of analogue focused tracks which will be released on a double vinyl album and digitally in the spring. amalgamating his array of impressive hardware, he has refined his sound and crafted a selection of tracks that demonstrate intricate knowledge and mastery of his analogue equipment. his aim was to find the right balance between musical depth and sound design while interacting with the hardware. in anticipation for the lp release in early april, florian has prepared a unique live set featuring a modular system, the korg minilogue, effect boxes and a 909 drum machine which were used in the creation of the album and which he will be touring throughout 2017. electronic beats visited him in his basement at riverside studios berlin to record an exclusive live session, which you can find on youtube and his facebook page.

deep dubby, dark punchy techno, from architectural showing off his natural groove.

five years deep into the game, all nine lives fully intact: utrechtian feral feline larry de kat prowls his way onto pets. and we really dont need to tell you how purrrrfectly apt this debut union is. fresh from launching his own katnip imprint (and putting the final touches on a hush-hush disco edit series), pets have managed to prise four of his finest, broadest creations from his creative claws. each one floorbound, each one backing up the hype hes enjoyed from the likes of axel boman, mark e and laurent garnier, each one making us feel like cats who got the creamiest of creams. i know you can hear me’ takes the lead on a more direct tip that you might expect from de kat. big pumps wrapped in a fine vibe balance of detroit and parisian house textures, but done with larrys signature dubby, jacking style, its the perfect paws-sitive statement of intent. slinking deeper into the ep, naakte groove lives up to its nude name with a lean-but-warm bass riff that purrs with finesse around a straight-up strutting drum arrangement. so much fun in such a tight, detailed groove, youll want this on loop forever.amlou stalks up behind with dusty, thumping charm. rolling and scratching like it was 20 years younger, theres an innate physicality in the drums that snaps you out when the big disco hook rides in from nowhere. finally we hit she doesnt. the dubbiest groove of the set, all eyes are on that bulbous sub, rippling synths and precision tuned snare shot. hypnotic, heavy, unhurried and heads down. these sounds are fur real. like all the best stray cats, expect larry to return to pets as and when he pleases.

with an initial release on cyclo records in 1999 followed by a re-issue on phil week s robsoul imprint, we are proud to present this classic gemini tune transcended by a great remix package from well respected uk house techno producer richard sen. the original mix has also been remastered. so play it loud

sun, skyy, earth wind & fire..., brooklyn-based igbo (indigo green brown orange) reflect an elemental foundation of classic 70s and 80s funk and soul through a prism of hip arrangements and decidedly modern production befitting the diverse set of talented stage performers and composers they are. a sun-drenched celebration of life and musical positivity, their sonic palette evokes the same brilliant and playful colors as their name, the two songs presented here (on 45 for the first time) bursting with irresistible charm. it s a breath of uplifting fresh air in today s hyper-serious club landscape.

eye can see the darkness (in the end of the tunnel) is a shot of light in the dark cavern of a broken heart. blinded by the lights rips apart the heart-string orchestra rather than just pulling on the strings. a love ballad lost in the haze of the mid-summer, faded to blue and repackaged as a gentle and tender winter anthem. sharing the a-side with the lucid dreaming of jeremiah r on the drum-heavy remix.
on the flip, i am not him is a filter-squelching, bass-slapping meander into green haze territory, that finally erupts into a swagger of familiar detroit-channeled drums and steady faded pads. outernet grumbles up the black-hole cosmic radiation with an industrial-tinged number that plunges the depths of deep-space. proper growling and clanging synths to add the right amount of raw, just at the end.

exceptional, 15 minute long dancer from beatrice dillon, blessing the 12 x 12 series with a concatenated ‘nuum sidewinder can i change my mind?, where the london-based artist nimbly finds the square roots of jungle, techno, noise and minimalist dance music firmly anchored in steppers’ dub and west african percussive tradition. if you’ve ever been snagged by sotofett, dj krust or shackleton’s devilish dubs, this one’s for you!

jerome derradji is proud to reactivate past due records - the boogie funk division of still music to release this fantastic archive – that many consider to be the holy grail - of chicago funk, boogie and soul.
“star time” will be released in a limited 500 copies 10 x 7” box set, faithfully reproducing the vision of lad productions, inc.
it features each and every larry dixon’s releases from 1971 to 1987, including the ultra rare “i’am so in love” lp recorded live at the copherbox club in 1980 and the ultra rare boogie funk “can’t price love” lp, each carefully re-mastered from the original tapes and a lot more!
many unreleased songs (some mixed by jerome derradji) are also featured. each format includes a unique booklet with the story of larry dixon and his friends, written by jacob arnold, along with numerous pictures and documents previously never published. artwork is by al kent from million dollar disco.

jerome derradji is proud to reactivate past due records - the boogie funk division of still music to release this fantastic archive – that many consider to be the holy grail - of chicago funk, boogie and soul.
“star time” will be released in a limited 500 copies 4 lp box set, faithfully reproducing the vision of lad productions, inc.
it features each and every larry dixon’s releases from 1971 to 1987, including the ultra rare “i’am so in love” lp recorded live at the copherbox club in 1980 and the ultra rare boogie funk “can’t price love” lp, each carefully re-mastered from the original tapes and a lot more!
many unreleased songs (some mixed by jerome derradji) are also featured. each format includes a unique booklet with the story of larry dixon and his friends, written by jacob arnold, along with numerous pictures and documents previously never published. artwork is by al kent from million dollar disco.

mother recordings is back once again with more of the floor filling beats that has made it one of the top labels of recent times. this latest is from simion, a producer with ties to labels like suara and hedoismn and one who here serves up two top cuts just in time for summer.

this hook burns in your head, classic organ anthem im repress !!!
from the vaults! 1992 kms records pressure straight from detroit, still capable of causing much damage on dance-floors in 2016! this 4 track monster pulls together a pretty heavy cast of detroit techno and deep house royalty in the shape of chez damier, mk and derrick may all contributing various mixes and versions across the ep. if deep, driving, soul drenched house is your bag you will be in heaven with -can you feel it-, a truly classic slice of sophisticated dance music indeed. all of the mixes are killers, but it s the -mk dub- mix, also known as the -new york dub- that really steals the show, here mk and may combine to craft a classy, slamming, emotive string driven jam that pushes all the right buttons. as usual, essential retrospective action here from one of the most legendary dance labels out of detroit. all tracks remastered and fully licensed with the sole permission of mr. kevin saunderson. 100% legit and not ready to quit!

based out of san francisco, extra classic is a unique live band formed with a keen appreciation of vintage reggae & vintage sounds. the aesthetic, and certainly the skilled method of their production, is an ode to the art of that classic style as referenced to the term coined by the cool ruler himself. recording in their own studio, nopal recording, the band employs a taster’s choice of analog equipment and is devotedly tracked, spliced and mixed in-house direct to tape. however, as the group’s name itself implies, there is a dose of something extra and new in this swirling mixture of space echo, heavy phase, and emotive, psychedelic california-soul.
built upon the rock of an early-era dancehall swing, their first single in conjunction with brooklyn-based imprint names you can trust entitled in this life, is a perfect slice of lover’s rock gone sideways, a decidedly left-coast piece of roots and bliss driven by adrianne delanda’s lovely lead vocals and the steady, dusty echoes of the locked in players. presented in the traditional format with a version as per nyct fashion, the dub mix incorporates a soothing dose of synare beams and underwater instrumental dreams.

it all began with a licensing inquiry for a sister funk cut which we wanted to include on our deep funk comp titled “feeling nice vol. 3”. after the deal was completed producer fred forsh mentioned that the backing band of nadine brown’s masterpiece “leave me alone” had released a 45 themselves under their name teakwood. after mr. forsh played us both sides we knew that this 45 would have to be re-issued. what was about to follow nobody of us ever expected. mr. forsh told us that teakwood recorded almost a dozen of songs which were supposed to be released on a full length album. for unspecified reasons the album was never released and it remained in the can for almost 40 years. finally, we are very proud to announce the release of teakwood’s debut album “a distant star” in early 2017. until then you have to be content with this 45 rpm single re-issue.

funk was the syncopated groove that emerged in the mid-sixties through hits from james brown and dyke and the blazers. it was a natural development out of rhythm and blues. thousands of local bands tried to emulate brown’s success, and in the process created a plethora of rare and sought after 45s and album cuts that have been mined by djs and producers to fill floors or provide breakbeats. whilst the 20 tracks on this compilation would cost you thousands of pounds to own on their original issue, that isn’t really the point. instead you get to listen to magnificent grooves such as mickey & the soul generations explosive ‘iron leg’, andrew brown’s blues tinged ‘you made me suffer’ or the message music of 24 carat black.
j&d records release three exceptional compilations that look at vintage african-american music through the prism of uk club culture. all night long, can you feel that beat and extra added soul will be available on double vinyl and are compiled by dj and award winning compiler dean rudland, with stunning artwork from his long-time collaborators the unknown. across the three volumes there are 60 tracks of soul, funk and boogie.

we re extremely pleased here at invisble inc hq to be releasing this amazing new album by veteran multi-instrumentalist and ethno-musicologist jon keliehor. originally from seattle and musically active since the 1960s jon started out playing drums and percussion in bands like the daily flash and bodine all the while becoming known as a venerable session and touring musician in his own right. not many people can claim to have played alongside jim morrison and james brown....but jon certainly has.

straight outta berlin, with a couple of quick stops in detroit & chicago, comes saile’s “can i get a witness?” ep. two pumpin late-night mpc jams recorded straight to tape, with a spaced-out acieed remix from fellow berliner annanan!

it is very difficult to present david duriez without writing an encyclopedic tome as its influence on the house music in france was decisive. since its inception in 1992, david released over a hundred records under his name, tens under various pseudonyms, mainly on vinyls on the most renowned labels like 2020vision, ovum, systematic, pokerflat, f communication, under the counter, stickman, crosstown rebels, the end, etc .. (the list is long, see discogs.com to be convinced) and as many remixes for some of the greatest artists (think moby, dj sneak, gemini, dj hell, llorca, telex, random factor, johnny fiasco, paul johnson, jori hulkkonen, ralph lawson, random factor, kenny hawkes or mr.c). founder of the label brique rouge and a whole galaxy of other labels, he participated in the creation of internationally recognized labels such as robsoul with phil weeks, freak n chic with dan ghenacia (from apollonia) or rz muzik. at a time when david had federated online the cream of the house producers via a forum (far and long before social networks), ivan smagghe had nicknamed him -the producer of the producers.- , a true house music activist, but most of all david duriez is a devastating dancefloor dj, he did several tours around the world and played in some of the biggest clubs in the world between 1995 and 2010. truly one of the most important players in the french electro scene, david is back on tracks after a few years hyatus. but don t call it a comeback because he has never really gone awol, he has been watching the scene and now he s back in the studio. you can expect a (very) long serie of releases for 2016, you have been warned!

massive 11-piece latin american afrobeat combo nelda piña y la boa have been exploring the vast rhythms of west african music and its many branches within their home base country of colombia for the last 3 years. influenced by the contrasting sounds and traditions of colombia s disparate atlantic & pacific coast cultures, they bring a unique twist to the familiar afrobeat lineup that is accentuated by their cantadora nelda piña, a singer from the bolivar region who was born in the 1940s. once again, colombia and its deep reservoir of modern and traditional musicians prove the awesome alchemy of melding the sounds and aesthetics of old and young generations.

brassica returns with a brand new 12” single for civil music that includes new track ‘get down’ and a remix of ‘tears i can afford’ from belfast duo bicep.

nice price deal !!! massive electro house with 90s atmospheres!! great remixes by roger sanchez, tom stephan, jesse garcia, angel manuel!!

nice price deal !!! organ male vocal house - incl souldynamic & fiorese remix

nice price deal !!! the multitalented producer dario dattis is back with another high class production featuring freda goodlett from soul of switzerland best vocalist... can u feel it?

nice price deal !!!

malphino is a mysterious band from an imaginative tropical island of the same name that plays cumbia and a heady mix of exotic sounds. their music serves as a cinematic score to the backdrop of this mystical isle and its ethos.

after four top-class releases, envlp sets its 2016 return with john barera, the brooklyn artist that steadly drove its sounds through space and stars with blissful sonorities and elegant productions. after many records on labels as metters labels, john delivers a four track ep that brings a personal interpretation of the detroit sound elevated by john’s unique skills and strong personality.

nice price deal !!! the multitalented producer dario d attis is back with another high class production featuring freda goodlett from >soul of switzerland< best vocalist ... can u feel it?

repress 2016
new swedish label aniara recordings brings you deep, dirty and slow house & techno from the northern hemisphere. gothenburg duo genius of time is giving us a fresh take on what modern house music can be in the roaring 10s. well-crafted tracks that builds slowly but surely through a rolling groove with bumping basslines. oldschool meets new school house burner. vinyl only release!

growin music is a new experimental & atmospheric label who s fourth release comes courtesy of the dlsk project.

soothsayers are back with a double a side featuring two massive tunes from their forthcoming album. originally released on the strut records album collaboration with cornel campbell, soothsayers have reworked their tune nothing can stop us upping the tempo and showcasing the vocal recipe of singers idris rahman , robin hopcraft and julia biel take me high is a heavy, dark and spacious head-nodder. sublime tripped out vocals by soothsayers as cornel campbell floats high in the atmosphere above accompanied by earth-shaking trombone and analogue bleeps in a sumptuous dubbed up mix. warm analogue sound recorded at fishmarket studios, mixed by daniel boyle at rolling lion studios. soothsayers releases are always championed by dj david rodigan (bbc 1xtra), as well as gilles peterson (bbc6) and many others.

guitarist rolando bruno hails from buenos aires and got his start playing a raw brand of garage and punk with his band los peyotes. a few years back he took a step into the not-so-distant world of afro-peruvian psicodelico that s had a recent renaissance throughout south america. what made his early forays into a more tropical branch of fuzz so unique was his accompanying band-or lack thereof. armed with an electric guitar and self-produced and recorded backing tracks, rolando bruno and his orquesta midi jet-setted across europe and japan as a mad scientist one-man band, laying down a relentless style of chicha classica gone loopy that earned him several tours and a full-length album with the swiss imprint, voodoo rhythm. originally recorded in 2011 and now remastered and presented by names you can trust on vinyl for the first time, these two tracks are a glimpse into rolandos prolific electric madness and a lysergic-laced pointer towards things to come from the talented six-stringer.

born in 2012 on the west side of buenos aires, agrupación ilegal los imparciales is a mix of traditional cumbia, peruvian chicha and instrumental psychedelia. a full live act and often transcendental experience, the group utilizes the classic instrumentation of electric bass, electric guitar, farfisa organ and percussion, an homage to older times, without the crutch of electronic sounds and samples. its a new generation of young and accomplished musicians bringing forward the sounds of a lost era and aesthetic, so relevant in todays modern music landscape. already with two studio albums under their belt and a third on its way, its high time the group is poised for a worldwide release sampler at the hands of names you can trust.

the russian artist mobile soul system brings his classy, elegant minimal deep house to red panda music, one of the new labels from barcelona, getting quite a lot of praise and attention. pure underground sound supported by laurent garnier, sidney charles, pawsa, hermanez and many others. four different cuts that can suit the mood of many different club situations along a sophisticated and cool house vibe.

following last summers acclaim ruede hagelsteins long player apophenia, we once again revisit the album, this time with a few stunning remixes from the drifter, can be love synth, and ruede himself of the hugely popular footprints feat. c.a.r.. up first is the drifter and he turns out what may be his best remix to date with a swelling, emotional ride that will most definitely be an anthem for the coming summer. taking a different approach, yet just as engaging, ruede reworks his original into a dark, looping psychedelic odyssey perfect for late nights or early mornings. can love be synth rounds out the remixes with a gorgeous pop-esque twist on the original choosing to focus on live instrumentation and retro synthesis resulting in a cross-over favorite. and finally, for all the times you want the vibe without the vocal, a dub version of the original gem.

a certain level of soulful expression can be reached only when stars align correctly up there as well as down here. once in a while a new track comes along that fools you into thinking you are listening to some lost re-discovery from the catacombs of american soul. the first release on timmion records new stylart imprint should leave a lasting mark on all friends of quality soul balladry. -love can last forever- by the enigmatic fred is the tune that will turn your heart to the love side whether you hear it at the end of a heavy club night, gripping on the wood grain wheel, or leaning on the bars of the penitentiary. who is fred then, you might ask. suffice to say he is a complicated man, who possesses a buttery falsetto and the rare power to turn banal testimonies of heartache and love into cathartic magic. this basically means he has soul, and we don t state this lightly here at timmion. after his first release, there are a few other heaters lined up, so be prepared for fred, his star is rising.